Julius Zeyer (26 April 1841 – 29 January 1901) was a Czechs prose writer, poet, and playwright.
Zeyer's epics, Vyšehrad (1880) and Karolinská epopej (1896), among others, draw from Czech and French legends respectively, and put bygone glory in contrast with Zeyer's bleak present times. He was inspired by Czech, Russian history, Irish history, and French history, as well as Scandinavian myths. His novels generally follow characters seeking to realize their romanticized ideas of life, many of who only find peace in death. His semi-autobiographical novel Jan Maria Plojhar (1891) deals with the tragic nature of being an artist. His collection of three short stories, “Tři legendy o krucifixu” (1895), builds upon the story of Christ's crucifixion and explores themes of Czech Nationalism and the value of art. The first story, “Inultus”, explores the idea of an artist driven mad by her work. It follows an Italian sculptor as she attempts to create a realistic depiction of the crucifixion, eventually murdering her model, the titular character, in a fit of creative insanity.
Plot-wise, Zeyer's dramatic works follow a similar pattern.
Josef Suk composed his Pohádka based on Zeyer's play Radúz and Mahulena. Leoš Janáček used his theater play about a Czech mythical heroine Šárka as a libretto for his opera.
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